ALTA drone from Freefly. ALTA is the first multi-rotor to accept a camera on the top of the airframe. Explore a completely new world of filmmaking possibilities with SkyView. Its working perfectly with our new Sony A7S II with internal 5 axis image stabilisation. 

The drone is Cinestar 8 from Freefly. Same company like our gimbal Movi. The drone is upgraded in UK so it can fly smooth with ARRI ALEXA MINI and RED EPIC and ultra prime lenses, focus iris motors. With payload up to 7kg we can fly around 8 min. per battery pack. With lighter lenses we can get 10 min. of flying. We have many batteries so we can fly all day. 

With twice the torque of the first generation MōVI motors and high resolution encoders, MōVI Pro’s custom designed direct drive brushless motors are up for any challenge. Freefly has tightly integrated the MōVI Pro with RED cameras to allow users to access RED camera controls from hundreds of feet away using either the MōVI Controller or the new MIMIC controller.

Movi m15 for PROFESSIONAL CINEMA PAYLOADS From Alexa M to Sony F55 with Cinema lenses, the MōVI M15 allows you to run with your preferred setup. If your arms can handle the load, so can the M15. 

Upgraded Movi m10 and with longer tubes so it can fit longer cameras. The movi is flying on the drone attached on the bottom with quick release system. We need few minutes between different setups so we can remove the drone and the landing gear and continue with handheld movi. 

POWERFUL AND ACCURATE Cinematic film making demands rapid setup and a host of camera configurations. The Ronin-MX has been designed to carry many of the cameras used every day on sets worldwide, and SmoothTrack algorithms ensure movements are smooth in every configuration. Designed to resist high G-forces using powerful motors and IMUs, the Ronin-MX is engineered to maintain stability and hold horizon when mounted to an aircraft or a vehicle. Built extensively of lightweight magnesium, the Ronin-MX weighs just 2.77kg. 

The Black arm is a 3-axis dampening system with a additional vibration mount for stabilizing roll and tilt errors as well as vertical motion and vibrations. The Black arm is a hardmount system made for gimbals that you want to mount on vehicles such as cars, ATVs, boats, snowmobiles etc.

The most advanced camera movement system is also the most intuitive. With this new MōVI Control method, there are no joysticks, knobs or wheels. Just tilt, pan or roll and the MōVI will follow. Move the MIMIC and the MōVI will follow. It’s so instant and organic that operators can execute complex moving shots with precise framing after just minutes of practice.

Wireless focus with 1.5km range. Best piece from the lighter focuses on the market with lighter motors and receivers so it can fit movi and dron configurations easily.

Armor man exoskeleton lets the operator easily support weights of up to 20kg. The version two Armor Man has been re-designed so that the user can now move their hands away from the mechanical arms when needed. A V-lock or gold mount battery can be mounted to the rear of the vest with power cables that run through the suit to supply the gimbal.

Designed for the rapidly expanding global drone market, CONNEX is a breakthrough transmission solution that makes it easy and affordable for professional drone users to outfit virtually any size and shape aerial drone with long-range full-HD video transmission capabilities with zero latency.

Second wireless full HD system paralinx triton for ground use, directors monitor or video control.

The MōVI Controller has redefined Dual Operator Mode for the MōVI. Control of pan, tilt and roll has never been more intuitive and with the ability to tune and adjust your MōVI’s parameters on the fly, the Controller will change the way you use the MōVI on set.

Small HD 7" monitor for directors monitor.

Small HD 4" onboard monitor for handheld movi.

TV logic full HD onboard monitor for camera operator.